Indie Artist Music Hustle
Indie Artist Music Hustle Podcast with Blonde Intelligence is where you will experience exquisite cranial repertoire. The podcast (Available on your favorite podcasting platform) provides entertainment news, thoughts on celebrity gossip, independent music artists, as well as businesses that contributor to the music and entertainment industries. The purpose is to provide exquisite cranial repertoire. Don't forget to hit that subscribe button!!!! follow me @BlondeIntelligence @RRoneice. Also the channel name is That Blonde Broad.
Indie Artist Music Hustle
Beyond the Beat: Afrofusion with London Producer and Artist, 705
Welcome to this week’s Indie Artist Music hustle with Blonde Intelligence. I am your host, Ms. Roni and I always seek to give you exquisite cranial repertoire. Producer and artist 705 takes us on a fascinating journey through his musical evolution, from his childhood in Lagos, Nigeria to becoming a rising star in London's vibrant music scene. With a sound he describes as "Afrofusion," 705 seamlessly blends hip-hop, R&B, and Afrobeats to create something uniquely personal yet universally appealing.
"It's a fusion of everything," he explains, detailing how Western influences like Biggie Smalls and 112 mesh with African icons like Fela Kuti in his music. This cultural hybridity shines through in tracks like "Filmtrick," where English rap meets Yoruba lyrics over infectious production. What stands out most is 705's commitment to musical authenticity in an increasingly artificial landscape. When discussing the rise of AI in music creation, he stands firm: "The human mind is smarter than AI. AI is supposed to help you, not do it for you."
Throughout our conversation, 705 shares valuable insights about the music industry – from his preference for genuine collaborations over paid features to the evolving importance of visual branding. His business philosophy echoes that of his musical hero 50 Cent, focusing on longevity and authentic storytelling. "Music should have a purpose," he insists. "You shouldn't just make noise in people's ears."
As 705 prepares to release new summer-ready tracks that further explore his Afrofusion sound with Yoruba rap elements, it's clear we're witnessing an artist who honors his roots while boldly pushing forward. Find his music on all streaming platforms under "705" and follow his journey on social media @705beats.
Hello, welcome to this week's Indie Artist Music Hustle with Blonde Intelligence. I'm your host, ms Ronnie, where I always seek to give you exquisite cranial repertoire. This week we have producer and artist 705, originally from Logos, nigeria, now located in the UK. Am I correct?
Speaker 3:Yes, you are, you're very right.
Speaker 2:Okay, so what we're going to do is start off with letting you tell everyone a little bit about yourself.
Speaker 3:Okay, well, my name is 705. I'm a recording artist based in London. Like you clearly said, I was born in Lagos, nigeria. I came here when I was about 11, studied going to music in college excuse me, going to music in college and I've just been making music ever since. So I produce music hip hop, r&b, afrobeat, different genre and also me myself. I'm an artist as well, so I record both Afro rap and rap, hip hop rap, english rap and also Afro beats as well on the side. So I just I try to do music the best way I can, really using my influences mainly.
Speaker 2:Okay, you said that you do different genres of music. From interviewing several independent music artists and reading about different trends. That's going on. A lot of artists are now coming up with their own genre, naming their own job. So what would you actually name your genre of music?
Speaker 3:well, I don't even know what to call it. I think there's a name already. I'll just say Afrofusion, because it's literally a fusion of everything, like the Western influences, the African influences, everything coming into one. It's a fusion. Let's be real. I grew up off hip-hop music and R&B music. Things like Biggie Smalls you're looking at people like 112, boyz II Men I mean my auntie, those are the people you should listen to. So I grew up off hip-hop and R&B. So there's a lot of fusion of hip-hop R&B mixed in with the Afro beats, because growing up in Nigeria, there are people like King Sonia. They felt like Kuti as well. So it's just a blend of everything. Literally that my music is.
Speaker 2:Because I listen to the two songs that I guess it's your publicist sent, but they were. I like both of them. They were both different from each other, I mean like totally. But the one about what is it Filmmaker? What was the name of it?
Speaker 3:Filmtrick. It was more of a rap, so Filmtrick.
Speaker 2:I like that. I was like okay, okay, okay.
Speaker 3:Filmtrick. I will thank you so much, filmtrick. We actually we finished that this year. I started the chorus to it like three, four years ago, so then I started and it was just I had an artist from Nigeria who's got a bit of following in Nigeria. He came over and he was like listen, I like this track, I'd love to jump on it. And, as you said, it's literally that, because you could hear the hip hop element of it in there as well, and then you could. My boy is speaking Yoruba, so there's that african a mixture too as well.
Speaker 2:So, yeah, it's literally that what well, I read your bio and it gave. I'm glad that you mentioned some other artists and he was talking about the influences and he was like big and small, uh, two pot, who are your influences in today's hip-hop culture, in today's?
Speaker 3:hip-hop culture In today's hip-hop culture, like today's music artists putting music out today. I don't have any influence over any of them. I won't lie to you. If I was to say okay in the 2000s, I would say 50 Cent, that's my main influence.
Speaker 3:Okay, I like his rawness, I like his realness, I like how he says it, how it is. That's one thing I like about him and that just shows like to always stand on your ground. I really like that about him and the fact that let's be real, his album dropped, gary Todd died trying and I was sold. He literally broke records and that really stands out for me being like coming out from nothing and literally making a name for himself. I mean, people wish them dead and, yes, it's hard for us coming out of the office, but that's the main thing Like someone was, he was meant to be dead and he actually came back and made a name for himself. That's something that really inspires me. And, like I said, you look at his movies. Now I was looking today. He was on his page. He was talking about his G in his studios. He just G-Unit Studios. They just bought a whole landing chef report to actually what's called start making films and it just kept growing and I like how it grew out.
Speaker 3:He branded himself, branched himself out. When G-Unit started he's one of the first. I mean Reebok was with them, always did people, but when he did the G-Unit Reebok he literally blew. So merchandise he's just a businessman, apart from music, because, let's be real, music is something we're gonna do to a certain degree. You thought you do what. What is really in you and that's what you do. And in artistry, when you talk about rapping and making music as well, it 50 does influence me because when you look at storytelling, it's chorus, is his verses. There's no if the verse is different from the chorus. You know these days you have choruses and the verse has got nothing to do with the choruses. So that's the kind of thing. So 50 is a big influence and two pack is another one of that, because two pack is the same thing storytelling, and those are what really influences me music, I believe music.
Speaker 2:So you believe in traditional hip-hop? Yeah, I believe music should have that. It needs to have a purpose. Yes, yes.
Speaker 3:You shouldn't just make music for the sake of making music. Just make noise in people's ears. You know what?
Speaker 1:I mean Okay.
Speaker 2:So you sound like a true artist. Now are you a musician? Because I know that you are a producer and some people who are producers don't necessarily play an instrument, but they produce music.
Speaker 3:What we're doing. Music is something that I don't know if witchcraft is the word, but it's something that we're giving people, we're sharing it with people and they're going to constantly repeat that. So it's always good to put something out there that could really inspire people. That's what I believe, and even down to the music I make, nowadays, when you look at music that's really prominent, music that lasts long, music that stands for a while. It has a meaning, something behind. It's not just anything. And then I did.
Speaker 3:I had a few time where I went to guitar lessons but I couldn't get my head around it. I went, I went to piano as well. Don't get me wrong, when I'm making beats. I could make a beat from scratch, like use a keyboard, play little melodies around there, but to tell me to not sit down and play you Beethoven, some different piano, some melodies play you. No, I can't. I can't do that. I could play the simplest of melodies. Melodies I could probably play twinkle, twinkle little stars or something like that, but I'm not. I wouldn't say I'm a musician in that term.
Speaker 3:But yeah, I'm a producer in terms of I could listen to sound. I'm like, yeah, that sound works. Let's put it together with this a lot lately. Even I stopped producing for like three years or so and I just got back to it. And now that I'm back to, the main reason why I stopped is that is the fact that I could make beat-pull drums, but the melodies I couldn't get the best out of my melodies. Recently one of my friends came around and he started producing and he started using some cosplays and it had a lot of samples and I was like, wait, I could just get melodies using that. So I started using a lot of samples and things like that, because before I used to believe using samples is not as a producer no, you're not a producer, you're not making it from scratch. But then someone was like it's your sound, you're putting it together, but it's art.
Speaker 3:Exactly, that's what someone showed me, that's what someone said to me and that made me learn that, wow, you've been thinking backwards and that's what I just go into and now use samples, use other things, but in terms of music, nah, I could play the basics and piano, but I don't call myself a musician in terms of instruments okay, what do you think about visuals?
Speaker 2:how important are they? As being an artist, I mean, and I mean in every, every aspect, such as you're going to go out to this restaurant, you know people are going to take pictures, you're going to go to this event, and then you know you've got to drop here and then even down to your stylist, and how you present your videos. What do you think about visuals? How important are they?
Speaker 3:I think it's very important. To be honest before, if you asked me like three, four years ago, I'd be like whatever, whatever, just do it. But to step up, but, um, growing in this music game, I believe is very important. When you look at artists, you look at such them, social pages and things like that. There's a way to carry themselves, their looks, everything. So it's very important because you don't know who's going to see you my mom.
Speaker 3:Something came to my head this morning because I was like my grandma used to say something to me rest, rest her soul. She was like before you leave the house, tidy your house, come in with you when you're coming back home. And it's the same thing when you're going. Now, you don't know who's going to see you. As an artist you are and everything you're a brand you're. Every. Every time someone sees you, they, they, they affiliate your name to you. So it's a thing where they see that, oh yeah, it doesn't look so good, yeah, so everything's important, which is something that even myself I've been looking at a lot lately. That's why I did my hair, all this other thing. You don't know who's gonna see you. You don't know anything could happen anytime. So image is always important. That's why I believe visuals is important in terms of now.
Speaker 3:If we go to things like music videos, I didn't used to think of it a lot. It's like yo, whatever, whatever, and you look at in the world we live in, it's content. If you put right now and you just put a post up, people see it. But then if you take that same thing and then you make into a reel, into a video or content. You see that more people are engaged with it. It's really important.
Speaker 3:Image, how you carry yourself, visuals is really important. People being able to see you, being being able to really like, click with you, is really important. And it's crazy. We say this because I was looking at something on youtube the other day and it says about artistry. He's like it's not just about making music, no more, which for me, is crazy because I'm not someone to jump on instagram or tiktok and just start talking. Anyhow, what I'm gonna post is my music, right, but there's visuals. You have to. It's not just about the music, no more. People want to see you, people want to get to know you, people want to know what you're about and that's all the visuals. I think visual is very important.
Speaker 2:Yes, yeah, because you it's actually you're branding yourself. You're creating a persona and branding yourself. So what do you think about the phrase all publicity is good publicity, even bad publicity um, I used to be like that as well.
Speaker 3:Good publicity, publicity, even bad publicity is good, but not really is it. Let's look at Diddy. Was the publicity again good for him?
Speaker 2:Not at this very time. I don't think that it's working in his favor, exactly.
Speaker 3:And then if we go back to MJ and Michael Jackson, those things that were coming out by him is kind of the things that start bringing this downfall. So people say things like good publicity, bad publicity don't matter, but then, in the wrong place, a bad publicity to go end your career. I mean, you had, um, I forgot johnny depp, I forgot his girlfriend's name where they went to court I can't remember her name either, but yeah but now apparently she lives in spain. She's had to do her own cosmetic surgery to look different.
Speaker 2:So do you think that that phrase is outdated, Considering when people said that there was? No, I don't even think MySpace at the time. Do you remember MySpace?
Speaker 3:I remember MySpace.
Speaker 2:That was like the first like big social media platform before Facebook, before Instagram, before Twitter and then even now. I feel like YouTube is becoming more. You don't have to just post videos. You can post shorts, you can post pictures, you can leave messages, you can do all these things. So I think for me that it might be a little outdated, considering even the normal person walking down the street may see you and video you doing anything, like the guy that was at the olympics or some game and got caught eating boogers. Nobody will really pay attention to something like that, but you know, everybody can record now yes, that's true, and that's and that's what makes me scared is like exactly what you said.
Speaker 3:Everybody can record, so image is important because you step outside, the wrong person records you and that's it. You're done. And we live in a world where comments judging people are ready to comment and slander your name. And even when posts are up now let's be real a lot of people don't just watch the post, they're reading the comments. Yeah, we're reading the comments. Everybody wants to laugh. So there's that happening. So, yes, it's very like. I think that I agree with you. It's very much outdated. I don't believe every publicity is good publicity. You have to be really cautious, because everybody's looking for whatever would bring and traffic to their page and if it's you that's going to be their tag on that day, so it is. So would it be?
Speaker 2:I mean, I did a show once or it might have been when I wrote a blog, I can't remember about content creators considering themselves journalists. As an artist, and when you go to different I would say platforms, does it matter to you whether or not they're considered a journalist or a content creator? And I'm going to use this example the Casanat guy. He is not a journalist but he's a content creator. But a lot of artists go to him because of his audience size. So when you're actually looking to get your brand out there, are you, as an artist, looking for a journalist or are you looking for a content creator?
Speaker 3:It's crazy. You say that I think a journalist is kind of important, to be honest, because the person that contacted you is a journalist, I believe um, and I went to her first because I know she could get my music into same places on different places in terms of online and internet. But then there is I did mess message one of my other friends where she's a dancer and she's got a lot of following and I'm he posted. A lot of people will see. So it depends on what you're trying to get really and truly when we say influencers. Influencers are just based on the social media. They're just going to post and whoever follows them will follow and then they do what they want to do and then that's it, whereas a journalist, yeah, maybe they're still on social media as well, but they will go further. They would do the homework, send the emails and do. I believe those are important too, because there's only um. With social media, everything has a limit, you know. I mean, like people that are dancing and following the influencer that you posted, they're only gonna dance at that point and that's it. If the influencer is not posting your song more than once, more than three times of her dancing, it's probably if she posted just once, it's not really that important.
Speaker 3:Kai says they're not following, so he's in for for for the for the arts. Hip-hop is. It's kind of like important people like I think there's another one, ross or something they go to them because when they do go to these guys their views go up, everything goes up, because the young children are all watching them and that's how they gain that audience. It helps them that know. But then with that they would have other things they're doing on the side. I don't believe they would just go to Kai and he is just like we said um, if it's tiktok, it's tiktok. If it's youtube, it's youtube and that's what it ends, I believe.
Speaker 3:So I think a journalist is more important because of a journalist you're able to do more, whereas an influencer is just the influence on that page and that's it. And with the influence is more based on the following. So you're looking at the following, whereas a journalist it doesn't really matter about following. If they have to connect, they have to connect. They'll get your song to the right places and it will go. And some journalists don't even have a following. Some journalists probably have under a follower, but the power behind them is different.
Speaker 2:I think that people need to take more time with the quality instead of the quantity, so tell me how do you feel about collaborations?
Speaker 3:Collaborations. I'm always for it To be honest. Before I would just collab with anybody, but I've learned that I have to be more cautious with my collab. So, like you said, film Trick, the one you like. The track you said you like is a collab with one of my friends.
Speaker 2:I like the other one too, nano, don't just make it seem like it's the only one I think that one was vibe with me, I think. Yeah, I like that one too, because I was like, yeah, I can see the answer to my honey with this.
Speaker 1:Thank you.
Speaker 2:That one right there really took me by surprise.
Speaker 3:Thank you, I appreciate that. No, thank you, it's good to know. No, I know you like Booboo Point, it's just because that's a collab. So what happened was he came from Nigeria and I was like you know what? I need to work with someone. People are always telling me oh, you need to work with someone that's got following, you need to do this, you need to do.
Speaker 3:I'm always like I believe that if I have to pay someone to jump on my track, that's the end of it. It's not making sense. I understand it is music business. At some point, like one way, to a level where we are, we could start paying people wherever. But where I'm at, if I have to look for an artist that's blown and pay him, it don't make sense to me because from what I know in in the Nigerian scene, you're gonna pay them to write and jump on your track when it's time for you to make the music video. They they charge you as well to show up to the music video. This is Nigerian artist and so all of them like no. So that's why I don't look at it no more. So I really work with people that generally want to work with me collab, collab, wise, and then that's how I do my collaboration. I believe collaboration is good because it allows you to be able to get their other artist audience, get their audience and they are able to actually dig into your audience as well and get some feedback from your side as well. That cross, what do you call it? Cross, promotion, cross, networking I don't know what the word is, but I think that's really good and it's really beneficial, and not just as an artist producer as well.
Speaker 3:I have a friend of mine that we did a song too bad, but then he went off, came back recently and he's like I need to work on a track and me and him just sat down like you know what, let's work on this together. And he started making a bit now we're out at the drum, out at a couple of things and before you know it, he came back. He actually left the track to me, came back. I deleted some of one or two things. I'm like what do you think? He's like yeah, yeah, and we made a track, a new song that really sounds good. It will be out soon. But that's another part, because you learn from other people. We always look at it like, oh, I know everything, but it's good to share knowledge thing, the result is different. So I believe collaboration is a great thing. You cannot you cannot do everything by yourself. There's a saying like what do you call it?
Speaker 2:one, one tree cannot cause a wildfire, so you need people around you to make it happen. Okay, so what do you think about ai collaborations?
Speaker 3:someone came to me the other day. Actually, I said what did they say? They were like, ah, seven they were. It was. It was an artist was with me. I was talking to his girlfriend the friend, the girlfriend's phone was on the phone, she was all rapping and I'm like what's going on? She's like, yeah, she's using ai to get our lyrics and everything like that. I'm like wow, to me that's not authentic. I can't do that I can't do that because I feel like.
Speaker 2:I feel like the human mind is smarter than ai.
Speaker 3:Ai is supposed to help you, not do it for you exactly, exactly so, going to an ai to write your lyrics and things like that. I'm not interested in nothing like that Because, apart from that, people listen to your music for your experience, your own thing. So why would you tell the computer Like there's a lot of lies, there's a lot of things? Now that people do, music has become less genuine. Yeah, that's how I see it, because you have a lot of people that's using ai. Now some music actually is actually ai that's doing the recording as well. So, and it makes it hard for other people, but I believe the connectivity, the being real with people, that's what's really important. When people come to your shows, they want to know you for you, not for what a computer has generated and written, don't get wrong when it comes to like, if I'm to write press release or meant to write a word document, I'll call chat jptr.
Speaker 3:We need to do that, but in terms of my lyrics, making my music, I don't need it.
Speaker 2:I know okay what about artists who write for other artists?
Speaker 3:um, that's a crazy one. You just picked it. But with that I don't. To be honest, I used to think, nah, nah, you should write for yourself. But I don't think there's anything wrong with it, you can. The reason I say that is when we say write for other artists like I've been in that kind of situation A lot of people think, oh, someone is sitting there writing for you every time.
Speaker 3:They're writing for you every time. For example, I was in a studio a long time ago with one of my colleagues and one of my friends and I was making a beat and I was like, yeah, do this. I was trying to do something. I was like, no, no, no, no, no, why don't you do this? So he actually changed my structure of how I was going to sing the song. So he's changed the melody. So in a way, that's kind of like songwriting as well, because this made me move away from what I had in my head and I'm doing what he's saying. So there's that aspect of it.
Speaker 3:I believe songwriting is good. It could help. It shouldn't be anything where you're always going to someone to write your song for you, because you lose your touch and even if someone is writing your song. You should still be together with them and have that influence to still have you in it. That's what I believe, but I don't think there's anything wrong in terms of Drake uses it a lot from what I heard, but I don't use it. But I think it's something that could be useful. There's nothing wrong with having songwriters, but always remember that the songwriter is one that eats the most. You only make your money back from performing.
Speaker 2:And the publisher I know you understand what and the publisher. You understand what made me think of that is. I remember Ja Rule doing an interview. It may not have been an interview, it may have been doing the verses, I can't remember, but I know that Ja Rule said that the collaboration that he did with Jay-Z he was like I wrote his verse for him. So the reason why I ask these types of questions is because in that situation I don't think that he necessarily needed Jay-Z's pen. He just wanted his actual voice.
Speaker 1:Yeah.
Speaker 2:And I don't see the difference in I'm looking for this sound right here. I need you to do this Because I've talked to different people who would collaborate with different people across the world, especially when COVID hit, and they were trying to find creative ways to still be able to collaborate. And they were trying to find creative ways to still be able to collaborate and they had different programs that people would get in, because I know, if I'm saying it right, I think it was called Band Lab or something where you could go in and collab with different people, and they have met some really accomplished people doing that. I'm just thinking that, even with AI, if you know you're looking for a particular sound and you searched and searched and searched and can't find it, what's wrong with creating?
Speaker 3:There's nothing wrong with creating. I don't think there's anything wrong with it, and that's what producing is really and truly. Producing is about hearing sounds that you like, and we're creating them most of the time. I mean music production. When you go to music production, I mean that's what I learned when I was in college. I learned music technology and it's all about sound. Let's be honest. I said it to someone if you listen to most other songs that's hits and the main like we say, they're hits and stuff you find similar sounds in some of them and it's because someone has heard that song and they said, yeah, I'm gonna replicate that and bring it onto mine. I don't think okay.
Speaker 2:so what do you think about? I don't know if it's just only with an app on, but you can get all these different apps on your phones where you can create beats, you can make your voice sound like this and you can all of so if a person will put that together with having business sense, do you think that those types of apps cheapen the music?
Speaker 3:Now that you say that in a way it kind of does, and that's it kind of does in a way. But then it allows people to be creative as well. There's that aspect of it. It gives people to their ability to be creative. I mean some people that never thought, oh, I could do music. Those are the things that get them into the studio. That's how they started like, oh, I could do that. Oh, let me go to studio, let me try make something happen. So I mean I've had a man, so it's called. You know if I was working at PC World and a man created his own album in his car? I've heard that before.
Speaker 3:There's a lot of technologies now that makes life easy for people, and I cannot, to be honest, I cannot fault people for how they want to do what they want to do in terms of their music. How we get to the finish line is going to be different for everybody, but it's just about staying grounded in how you do your own thing, cause there's always going to be new things every day. I mean, the main craziness is the AI Now, literally, you could just type and then someone could be sounding like Tupac. That's what's crazy. That is that one there I'm not agreeing with it's like it's wrong, cause anybody could say you said something you didn't say.
Speaker 2:I saw that years ago I was watching CNN and they had at that time it was President Obama and they had four videos of him and they was like can you pick out the one that's real? And they all look real and none of them were real. So, yeah, and so when you think about you working so hard to build this brand, and something as simple as AI can bring everything that you don't work so hard for down were down. Do you think that there should be more restrictions and laws on the use of AI, especially when you're dealing with because you're a public figure, it's more that you have to endure, but do you think that there should be more restrictions on those types of things if you're considered a public figure?
Speaker 3:I think, yeah, even apart from public figure, I think there should just be some kind of protection on it, because, let's be real, people could use someone else's details to get something that is not, and then the person would get in trouble. I work as a warrant officer, so to say. When I say warrant officer, I'm not like Bailey for anything. I go to people's houses and I try to speak to them, to play the decks and things like that. So when I get to some houses, people don't even know the name they're like listen, I've been living here for 50 years. That name has never shown up on my house, that house name has never shown up here.
Speaker 3:And when you look at things like it's going back to things like chat, gpt and things like that, people could literally create, like you said, create someone's identity to be able to get something, and the person that that that is the person don't know nothing about it. Way from artists. As a normal, as a normal person, we need to do, um, we need to do better to protect people, because I think it's very dangerous to me. I just feel it's very dangerous. It could get a lot of people in trouble. I don't know nothing and it's crazy. And even now you have this thing of mask where people there's a same type of mask where you could put on and you look like someone else the way.
Speaker 2:It's crazy, I'm telling you look, makeup artists can do that. You could change your wig, uh, change your beard color. You can put on makeup that can change your skin color. I mean, you can really become someone else.
Speaker 3:So it's crazy. So I think you're right. There should definitely be laws on, not just for someone that has influence, but just even a normal person. I think everybody should be protected to a certain degree, because the way AI is going, it could be very dangerous for people.
Speaker 2:Okay, do you think your music transcends to the states? My music, your music.
Speaker 3:I mean, I check things like my TikTok, spotify artist, youtube artist and I see a few American countries. Like I was looking at my targeting and I've been targeting a lot of places like Zionsville, los Angeles, new York, new York. Yes, I've seen a few people listen to my music from the States. Yes, I could say that, but I just want to. I'm looking at ways to make it grow more and get people to listen to my music mainly, but, yeah, I think I do have a few people that listen to me in the States. So, yes, I'm someone that I'm able to collaborate with people in other countries and work with people in other places. I mean, I was born in Nigeria. Like I said, I came here when I was 11.
Speaker 2:Yeah, that's not an issue for me working with people that are living somewhere else or moving to tell everybody how they can find your music, any last words that you might have, anything about 705, like how he got his name or what.
Speaker 3:I'll tell you that. Well, first of all, let me tell you how I find my name, my name. So my actual name is Tosin T-O-S-I-N. The seven is a T and the O is zero. S-5, t-o-s. Tos oh okay, t and the o, zero s five. T or s? Tus, oh okay, but there's more to it. So my mom has seven kids. Okay, I'm out of those seven. I'm the fifth born, seven, five out of seven kind of thing, but put the other way around. So that's the other aspect of it. So that's how my name come about.
Speaker 3:My music you could literally find it everywhere, just literally 705 spotify, youtube, um, itunes, anyway, 705 social media. I go by 705 beats, which is 705 b-e-a-t-s. Bravo, echo, alpha, tango, sierra. So 705 beats and yeah, that's it. I've got new music coming out. I've got a song that I think you guys will love. It's's a fusion of Afro. I'm really going into Afro with it. I've got some rapping in Yoruba as well. So there's that Afro rap fusion again, and I think it's going to be a real summer vibe. I should have dropped it when I went in April. Summer is basically here, so I'm working on it. So, yeah, that's me. Bye me and thank you for actually having me here.
Speaker 2:It's been a real vibe and I've learned a lot. Well, I'm glad that you came. Remember, you can find Indie Artist Music Hustle with Blonde Intelligence on all podcast platforms. You can catch us on social media and you can copy and merge at wwwblonde-intelligencecom and I'll see you next week. Bye.
Speaker 1:Hey, girl, let me tell you about this podcast. Girl, everybody has a podcast these days, but this one interviews new and interesting indie artists. It's called indie artist music hustle with blunt intelligence. Really, where can I find it? It's on all podcasting platforms streams live on social media and on rpENTradiocom. What'd you say it was called again, it's called Indie Artist Music Hostel with Blind Intelligence. Girl, I'm going to have to check her out. Give it a check, girl.